A new Haxan story! “Wuthering” has been released by Argo Navis Publishing. Thanks, guys!

My new Haxan story “Wuthering” has been released by Argo Navis. I hope you enjoy the new story! 🙂



Hoover’s Haxan stories are a delightful blend of the Western and dark fantasy genres. Once you enter the Haxan universe, you may not be able to leave.  —Matthew Pizzolato, editor of The Western Online


Yay! Free Argo Navis Bookmarks!

Argo Navis Publishing will be adding new content over the coming months and years. Please bookmark them and follow them on Twitter @ArgoNavisMedia for  the latest updates.

In the meantime here are bookmarks for you to share and link with. Thanks!

Why the Zombie Genre needs to be Re-animated from Splatter-Chomp to Mysticism

I mentioned this earlier and want to examine it in more detail. As good as it was, George Romero’s Night of the Living Dead has done more to limit the zombie genre than any other movie or book I can think of.

Here’s why that’s not a good thing.

Prior to this zombies were never about eating people. And they sure as heck were never about eating brains.  But here’s the problem with Romero’s film. It took what was once a genre filled with mystique and made it into splatter-chomp. And now that it’s splatter-chomp there was nowhere else for it go go except over-hyped splatter-chomp cum Apocalypse. Served with brains on the side. And it wasn’t long before the genre slid into slapstick and parody. Now we have zombies no one can take seriously a la Pride and Prejudice and Zombies.

That’s what faces us today.

It’s too bad, really, because zombies had so much going for them prior to Romero’s film. Take Bela Lugosi’s White Zombie which I reviewed. That was an awesome film. So was Val Lewton’s uber-supreme I Walked with a Zombie which uses Jane Eyre as source material.

Val Lewton’s take on Jane Eyre…with zombies, voodoo, pathos, and Gothic imagery

These movies and others like them portrayed zombies for what they were supposed to be: living people (and sometimes dead, you couldn’t always tell) transformed into the unliving. Usually to serve as slaves or to make them pay for some horrible crime. But there was always something poignant about the zombie and its plight in these movies. There’s nothing poignant about the modern flesh eating zombie. He’s one-dimensional.

Yes, yes, I’m a zombie snob. That’s already been established.

Now, zombies didn’t start off that way. I concede that. Romero’s film was both horrifying and artistic with a steady dose of nihilism. He was making a deep statement about the world he saw and he just happened to use zombies to get his artistic point across. But lesser filmmakers, and writers, only saw the cannibalism and ran with that single idea.

Now we’re left with zombies eating brains and there’s nowhere else for them to go. It’s a literary cul-de-sac in my opinion.

Hey, maybe I’m wrong. Wouldn’t be the first time. But isn’t it also cool to examine the deep mystery, the Gothic imagery combined with Caribbean mysticism of zombiedom, rather than turning zombies into simple-minded fast food consumers?

Zombies as they are now portrayed are no longer frightening or horrific. They’re gross. But they’re not scary.

So in my opinion the zombie genre is in bad straits. I hope someone comes along and reboots it with an eye toward reviving its mystical past. If they can reboot Star Trek and Spider-Man they should be able to reboot this. Anyway, I hope so, ‘cuz I kinda like zombies. The old time zombies. The mystical zombies. The scary zombies.

So. Until this happens, where can you go to read good, memorable zombie stories that are old school? Look no further than Marvel’s Tales of the Zombie. This was a black and white comic published in the Seventies and it still rocks. It’s what zombies used to be about. It’s sexy and violent and Simon Garth, the zombie in question, is definitely old school. The only carp I have is it’s written in second person, a forced literary affectation I have always despised because it calls too much attention to itself. But the stunning artwork and layered characterization overcomes that limitation.

If, like me, you like the old time zombies, then please check out this collection. I think you’ll like it a lot.

Haxan (1922): Superb Horror and Dark Fantasy Painted in Silence

If you haven’t seen this phenomenal silent film then by all means do. It’s a Swedish film about witchcraft and the frenzied denials and condemnations that surrounded it during the Middle Ages, and up until the present. Well, 1922, anyway, which is when this film was made.

The visuals of Haxan are astounding, on a par with any CGI magic you see today. These pics only represent a fraction of what is in the film. It’s an absolutely gorgeous piece of art and seriously, if you haven’t seen it, try. You will not be disappointed.

White Zombie (1932) – Old Fashioned Love and Death Sprinkled with Haitian Magic

White Zombie (1932) is a classic Pre-Code film starring Bela Lugosi. Though it was roundly panned at its release it has, over the Definitely Pre-Code clothing here!intervening decades, become a seminal horror film as regards subject matter, direction, and artistic photography.

To be sure the acting is a heavy handed and creaky, not to mention the squeaky musical soundtrack. But you don’t watch this film for the acting or the soundtrack. You watch it because 1.) it’s Pre-Code which means there’s a lot of sex and dangerous subject matter, and, 2.) it’s a story about zombies when zombies were cool.

George Romero’s Night of the Living Dead (1968) notwithstanding, I have never been a huge fan of flesh eating zombies. I view many of those stories as one-dimensional. It’s as if the same Knock-Knock joke is being told over and over again. Under those circumstances we all want to chomp on brains if only to escape the endless repetition of rotting corpses chasing ambulatory shish-ka-bobs around a shattered city .

Now, to be fair, Romero didn’Madge Bellamy was a big silent film star before she made White Zombie. She will always be known for this film.t always do this, even in films where he always did this. Then again he was an authentic genius and a phenomenal filmmaker. But much of zombie filmdom after him is derivative — and it reads and looks that way. It’s weak because it is dependent upon itself and has no need of a good background story and characterization. The storylines for these stories all start off with the same premise: there was an Apocalypse, and zombies eat brains.

You can phone that in while waiting in line at a coffee shop. And much of it reads and looks that way. Look, flesh eating zombies jumped the shark with the publication of  Pride and Prejudice and Zombies by Seth Grahame-Smith in 2009. I mean, seriously, it doesn’t even work as parody anymore. And, no, I don’t care that there’s a zombie series on TV that is popular right now. So what. This is America. Mediocrity always plays big here. My point is you’ve seen it all before. There’s nothing new there at all. Not one damn thing.

Okay, so I’m a zombie snob. You found me out. Sue me.

Bela Lugosi made White Zombie after his success as Dracula. Here he is as the sugar cane mill owner, Murder Legendre.But zombies didn’t always dig into skulls after brains. They have an ancient origin, ostensibly tracing religious roots all the way back to ancient Egypt. But the dark supernatural Vodoun magic that was the strongest foundation of zombie lore comes directly from Haiti via Africa. It is this lore that White Zombie explores.

As I said at the top this is not a perfect film. Hell, as a film it’s not very good. I’d be the first to concede that point. But the directors Victor and Edward Halperin made a visually stunning feast. I cannot get over the incredible graveyards built into the sides of hills, the silhouettes moving along the horizon, the mystic shots, the play of light and shadow on stone and faces, the oblique camera angles. There’s a lot of experimentation here, it seems, and it works rather well because it lends atmosphere and layers that not only make the film memorable, it has made the film endure for over 80 years.

I don’t want to spoil the film by giving away too much of the plot. Suffice to say a young couple plans to get married in Haiti, there’s a man who wants the woman for himself, and he approached a mad sugarcane mill owner (Bela Lugosi) who has the name of Murder Legendre. That name alone turns this into a classic.This film was shot in eleven days. Even so some of the camera angles are absolutely stunning.

Lugosi tells the heartbroken young man he can have the love of his life if he makes her a zombie. (That right there, with all its sexual implications, would never make this film see the light of day during the Hays Code era.)  The lovestruck young man agrees, the bride “dies” during her wedding service…and off we go.

Hoo boy, and what a ride it is. I cannot get over how well-crafted some of these shots are. Many of the backgrounds were reused from other horror films like Dracula, The Hunchback of Notre Dame, and Frankenstein.

If you have never seen this film I urge you to do so as soon as possible. Especially if you like horror. I think you will be pleasantly surprised at how well the film holds up. It may even spur you on to write a different type of zombie horror story other than what we see so often nowadays.

One last cool aspect about this film? The heavy metal band White Zombie took its name from this movie. Rob Zombie, who founded the band, has always had a deep love and respect for classic horror. As a bona-fide zombie snob myself, I always found it rather awesome that Mr. Zombie would elevate the original film to a height it deserved.

I do want you to see this film. I think you will like it.  🙂

Monster House: Fun Horror Animation with Kids You Can Believe In

Horror, more than any other genre, has the ability to manifest its power in many different forms. This stems first and foremost fromSuperb animation and a loving attention to the writing and characterization in Monster House the fact horror is primarily an emotional and visceral genre, whereas science fiction, say, might have more of a cerebral background.

Because this is true for horror we often find stories that work on many different levels: poignant, evocative, and fundamentally human.  When these stories find their way to film, and when everything clicks from characterization to script, we have a real gem on our hands.

Monster House
is such a movie.  In fact this is one damned cute movie.  The script is not only well-written, it’s highly intelligent and at no time condescends to the viewer.  That’s something we don’t see everyday from the formulaic schlock normally churned out from Tinseltown.

I mean, come on, let’s face it.  With dialog like this from a little girl: “If that’s its teeth, and the carpet is its tongue, then that (a chandelier) is its uvula.”

With the riposte from the little boy: “Oh, you mean it’s a girl house….!”

And other gems like semi-precious stones: “Good luck with puberty!” and, “I’m sorry about your house.  I mean your wife.  I mean, your housewife.”

The characters, especially the three computer generated children, are fantastically drawn and lovingly created. These are true three-dimensional characters in every sense of the word.  Like I said, everything clicks in this movie and it’s a real treat.  From the beginning we believe these children are alive.  What’s more, we are willing to risk an emotional investment in their spooky escapades…and we are not disappointed in the outcome.Haunted houses, cute kids, and great writing make this movie a winner.

Horror doesn’t always work.  When it misses the mark it’s achingly bad to watch (or read).  But when it does work, especially in an intelligent and unforgettable movie like this one — chock full of delicious in-jokes — it can’t be dismissed.

If you ever get a chance, please, give this worthwhile movie a peek.  I think you’ll be glad you did.

Halloween Haunt w/Pics (Update)

Here are some more pics of what we have waiting for the TOTs. Still a work in progress but our main goal is to scare the hell out of them  give them a thrill!

This is hanging in the entrance to the Skeleton Wedding Feast room. How many brave TOTs will walk past it? And yet they must if they wish to get candy!

This Scarecrow outside is part of the graveyard theme. Trust me, he’s awesome at night with his glowing lantern and his tattered black cloak blowing in the wind.

The Scarecrow is holding a silver vampire head. Come on, how cool is that?

The TOTs also have to get past this ghoul. Good luck with that! Imagine it at night, with lights placed for best effect of illumination and shadow, and with strobes here and there.

This is just the beginning of the Spider Graveyard. I will have the entire tree webbed up with big spiders crawling around it. Many, many more headstones to come, too. This is just the beginning.

I’ll have more pics up for you soon. Keep checking back. Thanks!

Theater 13 Radio Broadcasting OTR Horror, Mystery, and Suspense on 100 Channels!

Theater 13 Radio has upgraded. We are now broadcasting Old Time Radio programming on 100 channels. We hope this will alleviate any bottlenecking issues listeners experienced when they tried to log on with our old 50 channel system. We are still broadcasting at 24K and are considering an upgrade there as well.

Do you like Old Time Radio? We are your one stop for vintage Horror, Suspense and Dark Fantasy radio programming. Please, check us out and don’t forget to bookmark our site. And please tell your friends! 🙂

Come join Mistress Zarella for the finest in Old Time Radio programming!

Ginger Snaps: Not the Cookie, the Werewolf

I like werewolf movies.  No, let me rephrase that.  I like good werewolf movies.  My favorite is The Wolfman (1941) with Lon Chaney, Jr.  And from a writerly perspective it gives me a tickle to know the writer of that film, Curt Siodmak, made most of thGinger and Brigittee werewolf tropes out of whole cloth.  But they’re as accepted today as any legend.  And it’s hard to pass up a late night showing on TCM with Chaney’s tour de force  performance in Frankensteim Meets the Wofman (1943).  That final scene of the dam breaking and flooding Frankenstein’s lab while the fur flies is one of the best in the genre.  Not to mention the fact Maria Ouspenskaya appears in both films; she’s always a treat to watch with her heavy accent and sorrowful, brooding manner.  Great fun.

But some years back I came across a trilogy that I immediately fell in love with, and, boy, are they great.

It’s the Ginger Snaps trilogy.  Never heard of it?  I’m not surprised.  They were indies shot in Canada which gives them a different feel both in tone and emotional texture than the slickly produced cartoonish efforts we see out of Hollywood.

The first movie, Ginger Snaps, dwells on two sisters who decide that if one of them dies the other will kill herself.  There’s the usual teenage angst and sexual awakening you would expect to see in a film about  a 16 and 15 year old sisters.  But Ginger Snaps ties those deep and powerful emotions into a stWhat's a girl to do when she has to hide her werewolf tail from the kids at school?ylish reworking of the werewolf mythos.   So when Ginger gets the bite, her sister, Brigitte, must do everything she can to protect her.  It’s a stylish film with a look and dialogue that really pushes the limits both in context and what we thought we knew about werewolves.  And you won’t need a silver bullet to whack one, because as Brigitte observes, a big knife will do since “they aren’t superheroes.”  Classic.

Of course, things start going downhill fast for the sisters.  Dogs start disappearing.  Ginger suddenly has a huge craving for meat.  When a tail appears she and Brigitte have to duct-tape it to her leg.  Well, no one ever said being a wolf-girl was easy.

The second movie is called Ginger Snaps: Unleashed.  Here’s where the trilogy takes a very unexpected turn.  Ordinarily, there would just be much more blood-spattering and chomping in a sequel like this.  Not so with the Ginger movies.  Now Brigitte is in an insane asylum, waiting for the curse to take hold of her while she wrestles with a horrific decision she had to make in the original film.  This movie dwells more on the psychological aspect of wolfdom than the usual crunching of bone by the light of a silvery moon.  Oh, and there’s a male werewolf out there who  wants to mate with Brigitte if she would just hurry up and let the transformation take its natural course.

Just when you think you’re safe, the thirThe faimily that howls together stays together. d movie, Ginger Snaps Back: The Beginning is actually a prequel to the other two.  Better yet, you aren’t sure if this is a parallel universe, an alternate history, or the beginning of an eternal curse involving these two young women.  Maybe it’s all three.  It doesn’t matter because the sisters are together again in 19th Century Canada in the dead of winter and they’ve come upon a fort while packs of hungry wolves roam the frozen countryside.  Hang on tight to a friend when you watch this one because it’s a doozy.

The Ginger Snaps movies.   You should check them out even if you’re not a werewolf fan.  It’s great story arc filled with pathos and sharp humor and biting (pun intended) dialogue. Enjoy!

Leaving for Caprock Canyon with a Very Dark Haxan Novel in Mind

Headed to Caprock Canyon this morning. Looking forward to the relaxation and working on some notes for the new novel. Kind of eager to see if this idea will hold up. I think it has promise…but you never know until you actually start mapping out the story and ideas.

 I have an idea for a dark Haxan novel....
One thing. The more I think about the novel, the darker it gets. The story is beginning to crystallize, albeit slowly. That’s better than before when all I had was an idea and no story.
I’m looking forward to seeing how it all shakes out, to be honest with you. I don’t want to put too much pressure on this one trip, but I’m excited to see if I can start blocking out some general movement and revelations for the novel.
It’s still a Haxan prequel. About Marwood discovering who he is before he goes to Haxan. Looks to be dark, very dark in tone.

And gettin’ darker....and it's getting darker all the time.
Gotta be careful, though. I don’t want to lose the story in the darkness. That’s not what this novel is about. I would be more specific…but I don’t have specifics. That’s where I am right now.

I will say this. I fully intend to overturn some western stereotypes and cliches that have wormed their way into the American consciousness. Gonna flip that applecart.

See you guys on Friday if I”m not too tired. I’m on Twitter, but reception in the canyon is spotty at best.




Woot! My Sample Story Page on WordPress: “Portraits of Madame Skalla”

Mark here. I have included a new Sample Story Page for my WordPress blog for those who may be interested in that kind of thing. You can click the link below or find the appropriate link on the right side of my blog under “Pages.” I mean, you guys know how to do this, right? I’m willing to bet you’re more facile than I am when it comes to this fancy schmancy technology.

I’m still astonished at these here microwaves. Arthur C. Clarke was right. It’s like magic! 😛

I have further plans to publish some of my backlog stories and novels, but this horror story is free and will always remain that way. It’s called ” Portraits of Madame Skalla” and I hope you enjoy it.

Thanks! 🙂



The Visceral Power of Horror: Why it’s so hard to write

Horror is always either on the edge of a horrendous implosion or on the cusp of a golden renaissance.  Horror is visceral.

I think that’s about right, given its cyclic nature.  Horror literature itself is a fairly shallow field.  Widespread, but shallow.  It makes half-hearted attempts every ten years or so to break out and become mainstream, but the impetus behind these efforts dies out and the genre, at least as far as fiction goes, lapses into senescence for another decade.

Right now it’s doing fairly well as a genre which is good for me and many other writers. But it wasn’t that long ago when I remember you couldn’t get much of anything in the horror field published. No one wanted to see it or touch it.

That’s in fiction. Horror still has cyclic phases is goes through in film, but unless I am mistaken the peaks and valleys are less prominent. Oh, sure, there are trends in Hollywood where horror is hot, or fantasy, or science fiction or another biker movie. After all, it was Easy Rider that damn near bankrupted Hollywood according to Leonard Maltin. Everyone and their brother, including every studio you can name, jumped on that bandwagon and wanted to dip their biscuits in that hot gravy. That’s how Hollywood operates. It has always been a boom or bust town.

However, I suppose because horror is so visceral, that’s why it works so well in film.  To be sure there are classic horror novels that not only helped shape modern science fiction but, I would further argue, modern fantasy as well, if not many other genres. One of the scariest science fiction stories I’ve ever read that is full-blown horror is “Sandkings” by George R. R. Martin. I used to read his SF a lot and enjoyed it until he sGood horror is always hard to write, but a gem to read.tarted turning out fantasy tomes big enough to serve as blacksmith anvils.

Horror is visceral. It is also by far the oldest form of storytelling. I don’t know this for a fact. I’m just guessing. But the first storyteller, I’m willing to bet, didn’t tell a story about happy people and golden love around that Neanderthalic camp fire.  It was a story of woe, fear, darkness, angst.  You know, horror.

I’ve talked to other writers and many agree horror, good horror, is very difficult to write. Okay, let’s be fair about this. Good SF, good romance, good mystery, good anything is hard to write. But if you doubt me go to the horror section of your local bookstore, or browse online, pick up a book at random, and read the first page or some of the sample pages. Nine out of ten times it’ll be less than stellar.

Which brings me to H.P. Lovecraft. Like it or not he is still the high watermark in the genre. I came to Lovecraft late in life, but I was immediately captured by the overpowering claustrophobia of his stories,I'm willing to bet the first story ever told was a horror story.... and the depth and power of the ancient evil he wrote about. Pretty good stuff. I’ve seen horror based on H.P. Lovecraft’s stories since. It is even more difficult to write,  as you may imagine. No one writes like Lovecraft except Lovecraft, and despite many attempts since his death, no one ever has come close.

I don’t read much horror anymore. Those horror stories I do read tend to come from writers whose work I like to read anyway. People like Richard Parks, Gemma Files, and Michael Merriam. But I am always on the lookout for good horror so if you know any pass the word along.

I like horror a lot. I believe it is possibly the most difficult genre to understand and master because there are so many layers to it. Oh, I’m not talking about simplistic ideas of splatterpunk and zombie apocalypse and chopping up teens on their birthday. That crap is simplistic for the most part and too cartoonish for my attention.

I’m talking about horror. Deep, mysterious, complex. That stuff is hard to write and a gem to read — when you can find it.

“The sky is the killer of us all.” Enemy Ace – A Review

DC’s Showcase: Enemy Ace , written by Robert Kanigher and penciled by the legendary Joe Kubert, is the most unrelentingly nihilistic comic I’ve ever read. Enemy Ace - nihilism at its best

It presents the face of war from the side of the enemy.  In this case it’s Hans Von Hammer, a WWI fighter pilot modeled after Baron Manfred Von Richthofen, better known as the “Red Baron”.  Like his namesake Von Hammer collects victory cups for each plane he shoots down and flies a red Fokker DR1, just like the Baron.  There are many other aspects of his life that parallel Richthofen’s,  which makes the comic (for those who know something about WWI aces) a real joy to read.

The technology and fighting tactics are correct for the most part. But, these are comics and sometimes you get goofy characters the Enemy Ace has to go up against and defeat, or situations that stretch credulity.  But overall the stories themselves are top-notch and crushing in their nihilism and bleak outlook of men at war.

Von Hammer has no friends.  Death follows him.  The ground crew call him a killing machine and always remark on how cool he looks and how easily he kills.  He cannot connect in any emotional way with other human beings, and his only friend is a black wolf he meets in the forest — another killer.  They develop a psychic connection.  They both know one day they will be killed.  Killers are always killed — Nature demands it.  Von Hammer returns to the forest many times between missions.  He can find solace only at the side of this black wolf, his only true friend.  It is his only moment of peace.

But more than that it is the sky which endures in these comics.  The sky, as Von Hammer notes, is the “enemy of us all.”  He is “a killing machine” but one day he knows the sky will kill him.  The sky itself is a main character in all these stories.  It is vast, uncaring, unmoving.  The sky strikes down friend and foe alike.  There are many panels where Von Hammer’s plane is but a tiny speck in the vast space.  He is nothing compared to the infinite power of the sky, and he knows he can never be anything but a lonely speck waiting his turn to be killed.  As he kills.

About the only drawback to these stories is they are presented in black and white. These were originally four-color comics and we miss the red of his plane, the blue sky, the checkerboard green quilt of the land below.  Sometimes a comic can still work published in black and white even though it first appeared in color.  The Showcase: Jonah Hex collection is such an example.  But the absence of color hurts the overall appearance of these Enemy Ace stories, I think.  We want to see his red plane.  You can tell some of the panels were set up to enhance the color and make the action more alive.

Aside from that these stories are pretty darn good.  If you want to read a nihilistic comic and are interested in WWI flying aces, this collection is the one to read.

New Haxan Page Added to My WordPress Blog. Hooray!

Just letting my readers know I added a Haxan web page to this blog. You can link to it from the side under “Pages” or click on the badge below, haha. It includes stuff like how I created the series, inspiration, and some character biographies. Hope you enjoy the extra content.

Thanks, guys. 🙂

Click here to see the new Haxan page on WordPress. Hooray!

I am Seriously Considering Writing a Haxan Prequel Novel

I have mentioned this before but I am seriously thinking about writing a Haxan prequel novel. I think this more than anything else will be my next big writing project. This would take place before Marwood goes to Haxan, while he was up in Montana Territory as a U.S. marshal.

We know some things about his life up there, and before. Things that were hinted in previous stories and which I talk about in the novel Haxan which CZP wants to publish. Carlene Minker, Magra’s adversary, may be in this novel. She was in Helena at the time and that whole story with her and her husband was alluded to in “Vengeance is Mine” in the Beauty Has Her Way anthology . Judge Creighton was there, too. When Creighton was transferred to New Mexico Territory he brought Marwood with him. (A not unusual occurence in lawing. When judges found marshals they liked they kept them.) We also know Marwood spent time with the Mandans while in the territory and that’s where he became known as “Long Blood”. So there are revelations I can work with, both for his story and for himself.

In a way I guess it’s a story about a man finding himself. Discovering who he really is, along with his past, and coming to terms with that.

I could write this as another Haxan novel. What I mean is, it could be like the other stories we see. I’m not denigrating them at all, but they have a recognizable pattern. And, hey, it works and it sells. Nothing wrong with that at all.

But I want to do something different. I guess what I’m saying is I want to do something more. Raw, brutal, uncompromising. Show the West for what it really was. No more TV ideas or tropes. Trash can all that, upend it all. Dump out the bathwater and scatter the papers of what we think we know about the Old West. It’s been done before. I just want to do it, too.

I think the key to something like this is I cannot hold back on language, structure or style.

I would be lying if I said I was not inspired by Cormac McCarthy’s Blood Meridian. I think Haxan, the entire world and mythos of Haxan, lends itself well to many interpretations. In fact I know that is true because we can read the published stories and see how they are open to different genres and even styles. I have always said I love Haxan because it’s my own little corner of the universe where I can play with matches.

Now I want to play with a forest fire.

This would be doable. I think. Heh. A bit of whistling past the graveyard there, no doubt.  But I am also under no illusion it would be tough. It might even be impossible to write. At least for me. And if I did get it written, it might be unsalable.

Anyway. I’m thinking about doing it. As the days move past and the year draws to a close, I think I am going to pull the trigger on this.

What do you guys think? Advice?

How I Created Theater 13 Radio, and Why

When I was thirteen I used to listen to a black and white transistor radio tucked under my pillow. One night I found a Chicago station and heard The CBS Radio Mystery Theater hosted by E.G. Marshall.

Just like that I was hooked. I fell in love with radio dramas and wanted to hear more.

Popular for its time, CBSRMT was a modern program aired by CBS during the late 70s and early 80s and produced by Himan Brown. It was an attempt to recapture the magic of Old Time Radio. When we moved from Illinois I always made it a point to find a station that aired this program so I could continue listening, and I would often ask my grandparents what they remembered of OTR.

As an adult I discovered real OTR, old time radio, and its fans. I began to collect and research these old programs and listen to them whenever I could. As a professional writer I saw the intrinsic value of these radio shows beyond their nostalgic worth. I knew I could learn a lot from these programs on how to write a tight cohesive story, and I did.

I really hope you like the classic programs I am bringing to you now, and I hope you come to love them and hold them as dear as I do, and will, for my entire life.

Theater 13 -- Old Time Radio Beyond the Extraordinary

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