I’m really excited about this story for many reasons. It features Magra Snowberry and tells the story how she tries to get home to the man she loves. Standing in her way are four peculiar horsemen, and a ferryman who tries to help her.
I wrote this some months after I finished the Haxan prequel Quaternity. Some of the stylistic language is similar, along with a decidedly literary bent. I did this for a purpose. I no longer write stories only to transcribe action. I now try to write for the ear as well. I write for the voice.
How a story sounds is just as important to me as how it reads. I wasn’t always that way. But I am fully wedded to that philosophical idea today. I think the Rubicon I crossed was with the short story “Fishing the Styx” because in that tale I went far the other direction from a simple retelling of action.
I do this because I have never viewed my role as a fiction writer coupled with that as a stenographer. Right or wrong, I view my role as a writer more important than that. I view fiction as more important than that. Of course, I always try to be careful to avoid pretension. Stories that rely on that dynamic alone always collapse under their own weight. So it’s a balancing process…and one I admit I have yet to master.
But I think I’m getting there.
While I like the story as is, it remains for the reader to decide for himself whether my stylistic choices, and my philosophical choices, work.
I tend to like stories that take chances and I took a few here. I hope you like them.
Magra Snowberry has always been a character who intrigues me in a very different way than, say, Marwood. John Marwood brings his own identity to each and every story. But I have always thought Magra was more malleable. Not in a sense of weakness. Her malleability comes with her innate ability to adapt.
Magra is more philosophically fluid, if that makes sense, than Marwood. Or, perhaps, anyone else around her.
Also, when push comes to shove, she’s as willing to take the long red road of violence to achieve her ends as Marwood. I think the difference between her and Marwood is he sometimes tries to couch his actions within the framework of the law. He’s not always successful.
Magra, on the other hand, isn’t so wedded to thoughts of justice or the arc of law. She’s not more nihilistic than Marwood. She’s more practical.
She’d rather be left alone. But if you keep getting in her way there’s going to be pain involved.
A lot of pain.
It’s very easy to write about Marwood. You always know how he’s going to jump. I don’t necessarily view this as a point of strength. I’ve had characters say in several stories that Marwood never changes. “The west is changing, but you stay the same.”
It’s not a compliment. It’s an indictment of his lifestyle. It’s a warning to him (and people like him) a rigid worldview is not going to hold up to the pressing arc of history. Other people see this. He can’t. He never can. At the moment it’s his strength. But he’s not stupid. He realizes the inability to change or adapt will, one day, prove disastrous.
Simply put, Marwood is unable to learn from the history he has lived. He doesn’t look back and he doesn’t look forward. He is trapped in the now. He is trapped by Fate.
Magra, on the other hand, views life and death in longer terms. This comes from her ability to night-walk along with her powers as a bruja.
She is not trapped or limited by Fate. She weaves Fate.
When I first started writing these stories Magra didn’t have the elevated position she now holds. I think in some of the very early stories she comes across as the damsel in distress. I changed that forever with the story “Vengeance is Mine” published in the anthology Beauty Has Her Way.
I originally wrote that story from Marwood’s perspective, but the editor, Jennifer Brozek, made me see the story would be more powerful and possess more emotional resonance if viewed from Magra’s perspective. This made me take a long and serious look at Magra and forced me to elevate her place in the pantheon of Haxan characters. Who, for the most part, tend to be broken and flawed people trying to survive in a violent world.
Magra was always important, of course, and especially strong-willed. But now she had to take those characteristics and apply them in a way that would make the fiction interesting and memorable.
Magra came into her own in the short story “Vengeance is Mine” and she’s never turned back. I’m pretty happy about that because it makes her a viable character with her own stories to tell.
This new story is a continuation of that. When the story comes out I’ll link it here on the blog for you.
Hope you like it. 🙂