Chopping Out the Undergrowth of a Story and Revealing Gold

Today I will start the third (and I hope) final big edit of the new Haxan novel, Quaternity. I plan to read the novel out loud, as I mentioned before in this blog, and am eager to see (hear?) how it sounds.

I’ve been a little stuck on another short story I finished editing, though. After the initial big edit of this shorter piece (which I finished last year, Editing should be more than taking a hatchet to your story!that’s how long it has been sitting fallow) I saw it could again be edited one of two ways. I could change the whole meaning and structure of the story if I cut out some pieces. I don’t know if I want to do this. Yes, if I go that route I think I can probably find one or two magazines that would publish it, no problem. But if I leave those parts in (mostly heavy dark fantasy) then I might have to do a little homework to find a good place for it.

Which is fine, I have no problem doing that. What interests me most about this particular short story is how I can change it so dramatically by careful editing. Which, come to think of it, is probably always the case with any story I write. It’s just very blatant in this case. At least to me.

That is why I haven’t finished the final edit of this particular and as yet unamed short story about Magra Snowberry from Haxan. It could go either way. My philosophy about this has always stayed the same. I want to present the best story I can. That’s why I am on the fence as to which way to edit this thing. Even my instincts, which I always trust, says it could be a coin flip.

I think I am leaning toward keeping the very dark fantasy elements in it. The new Haxan novel Quaternity works variations on some of those familiar themes without the elements I use in the short story. So that is good.

I am probably over thinking this as I often do. But this is something I have to get past because it is hanging in the background like a flag demanding attention.

Thus, writing.

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